“For Colored Girls is like live jazz. You may not recognize subtle time-signature changes or understand the precision of syncopation, but you know you like what you hear. You may not be a woman or black or an experimental theatre enthusiast, but there is much to appreciate in the sincere ensemble of this For Colored Girls. As Miller said in a talkback session, “If the saxophone player gets too into himself, the whole thing is fucked.” But For Colored Girls never is”

“...melding dance, poetry, and music to convey evocative fragments of the female experience. Dealing with issues of love and abandonment, rape and abortion, the play is still relevant 35 years after its first performance, striking chords with women of all colors and backgrounds.... recapture this essential and unembellished magic. . Miller’s performers are clearly in sync with each other and the script itself, giving rhythm and nuance to each story”